About Nepotism and Misplaced Hate

Standard

In my career I’ve worked various jobs for different sized organizations. I’ve worked for a mom & pop shop to a major global corporation and everything in between; office politics were always a part of the day to day. Whether it was management with questionable credentials or outright hiring family members, nepotism and cronyism are such a part of the business world that you’re bound to come across it at some point or another and the Photography world isn’t any different.

Earlier this week, Brooklyn Beckham, spawn of former Spice Girl turned designer, Victoria Beckham and football star, David Beckham, announced the release date of his first Photobook published by Penguin. It wasn’t long before the Internet was up in arms about how “unfair” and “unjust” it was that Brooklyn was “given” a book. It was yet another toll in the death knell of Photography as an art form – after all, Brooklyn has no formal training; he hasn’t paid his dues like every photographer that’s come before him. The Internet in it’s collective wisdom had decided that this one of the worst cases of nepotism in the history of modern art. Truth be told; we’re all full of shit.

As of this post, Brooklyn Beckham as over 10 million followers on Instagram – which is to be expected of a celebrity account. His followers (from my quick 5 minute glance of his page) are engaged and though mostly not art critics, many can appreciate his interpretation of Photography. While Brooklyn may not have a day’s worth of formal training under his belt he not only practices the craft but has managed to carve out an audience for the images that he’s creating. Would he had gotten his Burberry spread had his parents not been the internationally known Beckhams? Probably not, but he still needed to take the opportunity.

And that’s what we’re really talking about here; we’re not upset that Beckham has a book but he got an opportunity. Consider this: his being born of rich and famous parents has garnered him various opportunities that those of us who weren’t born with such privilege might never see. It’s a privilege that many Photographers abuse when we look at new Photographers of non-famous backgrounds; denying them the opportunities to professional practice their craft because they’re not a part of inner circles. Friends, we’re not mad at nepotism, we’re mad at privilege.

How many times have we overlooked privilege when it’s benefitted us? As long as it’s been good to us, we’re likely to turn a blind eye. Too often we allow our own conceit to trick us into believing we’ve earned every opportunity presented. It’s never about the connections that some of us were born with or the financial circumstances that allow us to pursue the work that we do. Before passing judgement let’s try to remember the last time we’ve extended an opportunity to someone just getting started in this industry. Maybe, just maybe, the next generation of photographers will be discovered based on talent alone.

If you’re looking for a photo book with black and white images of daily life but Brooklyn Beckham isn’t quite your speed; consider picking up A Beautiful Ghetto by Devin Allen. A Beautiful Ghetto beautifully displays the spirit of Baltimore through the stories of its residents, their struggles and the beauty of their resistance against racism in America.  Allen’s work has been featured in on the cover of Time, New York Magazine, the Washington Post, the New York Times, and may other print and online publications.

Advertisements

Everyone is making great cameras… What now?

Standard

IMG_0569.JPG

The Whole Family is here


At this very moment if you walked into the nearest camera specialty store and walked around the latest gear for you to try, chances are you couldn’t walk a few feet without running into a really good camera. Whether it’s a Samsung NX3000, Olympus’s E-PL7, Canon’s T3i, or various other interchangeable lens camera systems, chances are that you’ll be able to produce quality images at a relatively inexpensive price-points.

So where does this leave us? Well, the old arguments about which camera system makes the best photographs are now by and large just a matter of personal preference and/or justification of spending lots, and lots, and lots of money in the gear you’ve chosen to buy into. Make no mistake, photography remains an expensive profession and even more expensive hobby once you get to a certain point but when you’re starting out there’s almost no wrong choice.

Getting started – Why there’s nothing wrong with the “kit lens”

You’ve done your homework and now you’re ready to make a big purchase – your first interchangeable lens camera. Whether you go DSLR (I’ll be explaining in another post why you shouldn’t) or one of the mirror-less cameras, if you base your purchasing decision solely on the opinions of Internet forums and your “almost pro” friends you’ll often hear that you shouldn’t buy the camera bundled with a cheap lens. They’ll often point you to a camera body and make a suggestion as to which “prime” lens to buy, but the truth is that even the kit lenses that many manufacturers have greatly improved the quality of their kit offerings.

Carnival in Brooklyn

and Q Standard Zoom 02 Lens (kit lens for Q system cameras)

Make no mistake, a prime lens will give you better image quality than you’re typical kit lens, but if you’re just getting started the average kit lens on the market will be able to handle most situations. The kit will provide you with the flexibility of a zoom and the added benefit of knowing that you didn’t spend the additional money on a “good lens” in the event you have second thoughts.

Breaking the bank: buying the best body or splurging on a lens

Online debates often revolve around the latest and greatest camera bodies manufacturers can offer. Whether it’s the flagship Canon 5D Mark II, Samsung NX30, or Olympus OM-D E-M1, a flagship camera is almost certain to cost you a pretty penny. Often times a flagship camera body is usually sold as a body-only meaning you’ll be dropping even more coin on  picking up a necessary lens. It’s a costly endeavor for sure but does it have to be? Not really. 

Circle of Fire

If you’re gonna splurge; I definitely recommend you do so on a great lens.

Unless you’re a high-level enthusiasts or working professional, chances are that you will not be using all the features of a flagship camera. If you’re just getting started in the world of photography, consider picking up an entry-to-mid-level camera body and use the balance of your flagship budget on picking up an additional lens or two. If you choose to go this route you can easily pick up a great, fast prime lens that will serve you for a variety of uses. Best of all, learning to shoot with a prime lens will help you make the most out of an included kit lens or other zoom lens should you choose to pick one up at a later time. So before you’re swayed by all the bells and whistles of a flagship camera, find capable middle of the road camera body and consider getting the best lens your budget affords. 

Finding your a camera that fits your style

  
Now that the secret is out and there’s no such thing as a bad camera these days, where does that leave you? Well if this generation of gear is indicative of what the future of photography may bring, then we’re all in for a great time. For seasoned pros or experienced hobbyists, great cameras will make it easier for them to create the images that they see in their mind’s eye. They’ll be able to capture the decisive moment with even more accuracy, capture landscapes with an even higher level of sharpness and clarity. For those who have recently caught the bug or may be just starting out, the improved processes in camera manufacturing and wide availability means that it’s even easier to get started. Though the learning curve may still be there, there’s never been a better time to find a camera that offers plenty of control to the photographer while still being technologically advanced enough to guide them as needed. 

It’s a truly great time for photographers of all stripes; who knows maybe some day soon we’ll no longer be as concerned with what we’re shooting with and what we shoot. 

A Place Where Photos Live

Standard
Announcing my new portfolio page: AlbertoLima.Photography

Announcing my new portfolio page: AlbertoLima.Photography

It’s been a while since my last update and though things have been quite on this front, I’ve been keeping busy writing at MirrorlessMinutes.com and for Adorama Learning Center. It’s been a helluva ride so far. Loving what I’m doing.

As I’ve mentioned before; as a Samsung Imagelogger, part of the deal is that I have to send them feedback and photos. Over the last year I’ve acquired quite a number of photos and have begun the process of editing them – not just technical things like exposure or composition – but true self-editing; identifying the images that move me (and I hope they in turn move you).

Well if you’re interested in my photography away from Instagram, be sure to check out my portfolio page: AlbertoLima.Photography.

Feedback is always appreciated.